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Rose v. Arts Bonita, Inc.
, No. 2:26-cv-484-KCD-KRH (2026)
Case details
Full caption
Julia Rose v. Arts Bonita, Inc., et al.
Country
United States
Jurisdiction
Federal
Decided
2026
Disposition
Motion Granted
UNITED
STATES
DISTRICT
COURT
MIDDLE
DISTRICT
OF
FLORIDA
FORT
MYERS
DIVISION
JULIA
ROSE,
Plaintiff,
v.
ARTS
BONITA,
INC.,
A
FLORIDA
NOT-FOR-PROFIT
CORPORATION;
CITY
OF
BONITA
SPRINGS,
A
FLORIDA
MUNICIPAL
CORPORATION
SERVICE-CITY
CLERK;
AND
MAUREEN
ROBERTS,
INDIVIDUALLY;
Defendants,
/
Case
No.
2:26
-cv
-484
-KCD-KRH
ORDER
This
dispute
began
at
an
outdoor
art
festival
in
Riverside
Park,
where
Plaintiff
Julia
Rose
sought
to
display
and
sell
her
paintings.
Her
artwork
reflects
her
deeply
held
Christian
faith,
pairing
images
of
Jesus
with
President
Trump.
Here
is
an
example:
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(Doc.
23
at
3.)
1
But
the
festival’s
organizer,
Arts
Bonita,
Inc.
,
saw
a
problem.
Citing
complaints
and
an
apparent
mismatch
with
the
style
she
had
originally
submitted
for
selection,
the
festival’s
director
ordered
Rose
to
leave.
(Doc.
1
at
2
-3.)
Rose
packed
up
her
tent
under
protest
and
now
turns
to
federal
court
for
relief.
In
her
complaint,
Rose
asserts
a
wide
array
of
constitutional,
statutory,
and
common-law
claims
against
Arts
Bonita
and
others.
She
alleges
that
her
ejection
was
viewpoint
and
religious
discrimination
under
the
First
Amendment
and
Florida
’s
Religious
Freedom
Restoration
Act
(Counts
I
and
II).
She
also
claims
public
accommodation
discrimination
and
retaliation
under
the
Florida
Civil
Rights
Act
(Counts
III
and
IV).
And
to
round
it
all
out,
she
asserts
claims
for
breach
of
contract,
fraud,
and
intentional
infliction
of
emotional
distress
(Counts
V,
VI,
and
VII).
Arts
Bonita
now
moves
to
dismiss
the
complaint
under
Federal
Rule
of
Civil
Procedure
12(b)(6).
(Doc.
1
9.)
For
the
reasons
below,
the
motion
is
GRANTED
.
I.
Legal
Standard
To
survive
a
motion
to
dismiss
under
Rule
12(b)(6),
a
complaint
must
contain
more
than
legal
labels
or
hint
at
a
general
grievance.
It
must
allege
1
Unless
otherwise
indicated,
all
internal
quotation
marks,
citations,
case
history,
and
alterations
have
been
omitted
in
this
and
later
citations.
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enough
“factual
content
that
allows
the
court
to
draw
the
reasonable
inference
that
the
defendant
is
liable
for
the
misconduct
alleged.”
Ashcroft
v.
Iqbal
,
556
U.S.
662,
678
(2009)
.
At
this
stage,
we
must
accept
the
complaint’s
factual
allegations
as
true
and
construe
them
in
the
light
most
favorable
to
the
plaintiff.
Erickson
v.
Pardus
,
551
U.S.
89,
93
–94
(2007)
.
But
that
deference
has
a
limit:
we
leave
legal
conclusions,
naked
assertions,
and
“formulaic
recitation[s]
of
the
elements”
at
the
door.
Galette
v.
Goodell
,
No.
23-
10896,
2023
WL
7391697,
at
*3
(11th
Cir.
Nov.
8,
2023)
.
Because
Rose
is
navigating
this
litigation
pro
se,
the
Court
holds
her
pleadings
to
“less
stringent
standard
s
than
formal
pleadings
drafted
by
lawyers.
”
Erickson
v.
Pardus
,
551
U.S.
89,
94
(2007)
.
That
means
we
view
her
complaint
with
a
generous
eye
and
do
our
best
to
discern
the
legal
core
of
her
arguments.
Id.
Yet
a
liberal
construction
only
goes
so
far.
It
is
not
a
license
to
act
as
the
plaintiff
’s
de
facto
counsel
or
rewrite
fundamentally
deficient
pleading
s
to
manufacture
an
actionable
claim.
See
Campbell
v.
Air
Jamaica
Ltd.
,
760
F.3d
1165,
1168
(11th
Cir.
2014)
.
Even
a
pro
se
litigant
must
allege
foundational
facts
that
rise
above
pure
speculation.
II.
Discussion
Arts
Bonita
’s
motion
attacks
the
complaint
on
three
distinct
fronts.
First,
it
takes
aim
at
the
constitutional
and
statutory
civil
rights
claims,
arguing
that
a
private
organization
is
immune
from
scrutiny
under
the
First
Amendment
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and
Florida’s
Religious
Freedom
Restoration
Act.
Second,
it
challenges
the
Florida
Civil
Rights
Act
claims,
asserting
that
Rose
ran
to
court
before
exhausting
her
administrative
remedies.
Finally,
it
targets
the
remaining
state-law
claims,
contending
they
lack
the
basic
factual
scaffolding
required
to
state
a
plausible
claim
for
relief.
(Doc.
19.)
These
arguments
are
addressed
in
turn.
A.
The
First
Amendment
&
Florida’s
Religious
Freedom
Restoration
Act
The
First
Amendment
restrains
the
government,
not
private
parties.
See
Manhattan
Cmty.
Access
Corp.
v.
Halleck
,
587
U.S.
802,
808
(2019)
(“The
Free
Speech
Clause
does
not
prohibit
private
abridgment
of
speech.”).
The
Florida
Religious
Freedom
Restoration
Act
(RFRA)
operates
on
the
same
principle,
expressly
restricting
the
“government.”
Fla.
Stat.
§
761.03(1)
;
Hollywood
Cmty.
Synagogue,
Inc.
v.
City
of
Hollywood,
Fla.
,
430
F.
Supp.
2d
1296,
1321
(S.D.
Fla.
2006)
.
Rose
does
not
dispute
that
Arts
Bonita
is
a
private,
nonprofit
organization.
Her
claims,
then,
can
survive
only
if
the
organization’
s
conduct
is
“fairly
attributable
to
the
State.”
Lugar
v.
Edmondson
Oil
Co.
,
457
U.S.
922,
937
(1982)
.
Rose
argues
that
Arts
Bonita
essentially
stepped
into
the
government’s
shoes
by
operating
a
festival
in
a
public
park
under
a
municipal
permit
and
then
calling
the
police
to
enforce
her
removal.
(Doc.
23
at
5
-6.)
But
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transforming
private
action
into
state
conduct
is
a
high
bar.
See
Wooten
v.
La
Salle
Corr.
,
748
F.
Supp.
3d
1363,
1374
(M.D.
Ga.
2024).
Holding
a
private
art
festival
on
public
property
with
a
permit,
like
alleged
here,
does
not
transform
the
organizer
into
a
municipal
agent
or
otherwise
create
state
action.
See,
e.g.
,
United
Auto
Workers,
Loc.
No.
5285
v.
Gaston
Festivals,
Inc.
,
43
F.3d
902,
910
(4th
Cir.
1995)
(“
The
possession
of
a
permit
to
perform
on
public
property
what
are
ordinarily
private
functions
does
not
convert
the
permit
holder
into
a
state
actor.”).
And
merely
calling
the
police
to
enforce
a
private
right
to
exclude
someone
from
an
event
does
not
create
the
kind
of
nexus
or
joint
action
required
to
trigger
constitutional
scrutiny.
See
Woods
v.
Valentino
,
511
F.
Supp.
2d
1263,
1274
(M.D.
Fla.
2007)
(“Private
entities
do
not
transform
themselves
into
state
actors
simply
by
calling
the
police.”).
In
her
opposition
brief,
Rose
attempts
to
bridge
this
gap
by
offering
a
host
of
new
factual
allegations
meant
to
tie
Arts
Bonita
more
closely
to
the
municipal
government.
(Doc.
23.)
The
problem
is
that
none
of
these
details
appear
in
her
actual
complaint.
Under
the
facts
pled,
when
Arts
Bonita
told
Rose
to
leave
and
called
the
police,
it
was
seemingly
acting
as
a
private
entity
managing
its
permitted
space.
Nothing
in
the
complaint
transforms
that
private
conduct
into
state
action
under
any
recognized
test.
Raybur
n
ex
rel.
Rayburn
v.
Hogue
,
241
F.3d
1341,
1347
(11th
Cir.
2001)
.
Rose
points
to
no
facts
suggesting
the
government
coerced
or
significantly
encouraged
Arts
Bonita
to
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censor
her
artwork
or
eject
her
from
the
festival.
Arts
Bonita
did
not
assume
a
traditional
public
function.
And
as
mentioned,
summoning
the
police
does
not
establish
the
symbiotic
interdependence
required
to
transform
a
private
actor
into
a
state
agent.
See
Kelly
v.
Broward
Sheriff’s
Off.
Dep’
t
of
Det.’s
,
560
F.
App’x
818,
821
(11th
Cir.
2014)
(“Only
in
rare
circumstances
can
a
private
party
be
viewed
as
a
state
actor[.]”).
Because
Arts
Bonita
is
not
a
state
actor
under
the
existing
complaint,
the
First
Amendment
and
RFRA
claims
(
Counts
I
and
II)
fail
as
a
matter
of
law.
B.
Administrative
Exhaustion
In
Counts
III
and
IV,
Rose
pivots
to
the
Florida
Civil
Rights
Act
(FCRA).
She
alleges
religious
discrimination
in
a
public
accommodation
and
retaliation.
But
before
bringing
these
claims
into
federal
court,
the
FCRA
requires
a
plaintiff
to
fully
exhaust
her
administrative
remedies
by
filing
a
charge
with
the
Florida
Commission
on
Human
Relations
and
waiting
the
statutory
period.
See
Woodham
v.
Blue
Cross
&
Blue
Shield
of
Fla.,
Inc.
,
829
So.
2d
891,
894
(Fla.
2002)
.
Rose
concedes
that
she
filed
her
FCHR
charges
on
February
4,
2026,
and
the
administrative
process
is
still
underway.
(Doc.
23
at
16.)
So
she
asks
the
Court
to
stay
these
claims
rather
than
dismiss
them.
(
Id.
)
But
when
a
plaintiff
files
suit
prematurely,
the
proper
procedural
mechanism
is
generally
dismissal.
After
all,
the
very
point
of
the
exhaustion
requirement
is
to
give
the
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administrative
agency
a
first
crack
at
investigating
and
potentially
resolving
the
dispute—
which
could
ultimately
preclude
the
need
for
litigation
altogether.
See
Woodford
v.
Ngo
,
548
U.S.
81,
89
(2006)
.
Allowing
a
plaintiff
to
park
unexhausted
claims
on
the
federal
docket
defeats
that
purpose.
If
Rose
’s
administrative
process
finishes
without
a
resolution,
she
is
free
to
move
to
amend
her
complaint
to
reassert
these
claims.
But
the
Court
declines
to
hold
half
of
a
lawsuit
in
limbo
and
litigate
this
case
piecemeal.
Counts
III
and
IV
are
therefore
dismissed
without
prejudice.
C.
State
Law
Claims
That
leaves
the
state-law
tort
and
contract
claims.
Even
under
the
forgiving
standard
afforded
to
pro
se
litigants,
a
complaint
must
contain
enough
factual
detail
to
ascertain
the
basic
elements
of
the
claims
alleged.
Ashcroft
,
556
U.S.
at
678
.
Rose’s
remaining
counts
fall
short
of
that
basic
standard.
Start
with
the
breach
of
contract
claim
in
Count
V.
Rose
maintains
that
her
“jury
acceptance
and
festival
rules”
created
an
implied
contract,
which
Arts
Bonita
breached
by
ejecting
her.
(Doc.
1
at
9.)
But
to
state
a
valid
claim
here,
Rose
must
allege,
among
other
things,
the
material
terms
of
the
contract
that
were
breached.
Vega
v.
T-Mobile
USA,
Inc.
,
564
F.3d
1256,
1272
(11th
Cir.
2009
).
Her
vague
gesture
toward
“festival
rules”
offers
no
way
for
the
Court
—
or
the
Arts
Bonita
—to
know
what
obligations
were
allegedly
formed
and
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broken.
See,
e.g.
,
City
of
Delray
Beach
v.
Sherman
Williams
Am.
Legion,
Post
188
,
358
So.
3d
440,
443
(Fla.
Dist.
Ct.
App.
2023).
As
for
the
fraud
claim
in
Count
VI,
Rule
9(b)
requires
a
plaintiff
to
plead
fraud
with
particularity.
See
Fed.
R.
Civ.
P.
9(b).
Rose
asserts
that
the
“potential
withholding
or
concealing
the
People’s
Choice
Award
constituted
”
fraud.
(Doc.
1
at
9.)
“Potential”
is
the
exact
opposite
of
particularity.
The
complaint
fails
to
identify
a
single
false
statement,
who
made
it,
when
it
was
made,
or
how
Rose
relied
on
it
to
her
detriment.
Far
more
specificity
is
required
here.
See,
e.g.
,
Centennial
Bank
v.
Noah
Grp.,
LLC
,
445
F.
App’x
277,
278
(11th
Cir.
2011)
.
Finally,
Count
VII
alleges
intentional
infliction
of
emotional
distress
(IIED)
based
on
the
“physical
removal,
threats,
organized
slander,
and
ongoing
harassment.”
(Doc.
1
at
9.)
Under
Florida
law,
IIED
requires
conduct
so
outrageous
in
character,
and
so
extreme
in
degree,
as
to
go
beyond
all
possible
bounds
of
decency.
See
Metro.
Life
Ins.
Co.
v.
McCarson
,
467
So.
2d
277,
279
(Fla.
1985)
.
“While
there
is
no
exhaustive
or
concrete
list
of
what
constitutes
outrageous
conduct,
Florida
common
law
has
evolved
a
n
extremely
high
standard.”
Chingarev
v.
Rambosk
,
No.
2:22
-CV
-494-
KCD
-NPM,
2025
WL
3767952,
at
*3
(M.D.
Fla.
Dec.
31,
2025).
Calling
the
police
to
enforce
a
private
festival’
s
display
rules,
demanding
an
artist
leave,
and
the
ensuing
fallout
on
social
media
simply
do
not
rise
to
the
level
of
atrocity
required
to
sustain
this
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tort.
Indeed,
“even
claims
of
intentional
infliction
of
emotional
distress
based
on
false
accusations
of
criminal
activity
and
false
arrest
fail
because
such
conduct,
as
a
matter
of
law,
is
not
sufficiently
outrageous.
”
Cortez
v.
Home
Depot
U.S.A.,
Inc.
,
No.
12
-CV
-14177-KMM,
2013
WL
12077478,
at
*4
(S.D.
Fla.
Jan.
31,
2013).
III.
Conclusion
Arts
Bonita
asks
the
Court
to
dismiss
the
complaint
with
prejudice.
(Doc.
19
at
16
-17.)
But
that
is
a
step
too
far,
at
least
for
now.
Unless
a
more
carefully
drafted
pleading
could
not
state
a
claim,
a
pro
se
plaintiff
must
generally
be
given
at
least
one
opportunity
to
amend.
See
Woldeab
v.
Dekalb
Cnty.
Bd.
of
Educ.
,
885
F.3d
1289,
1291
(11th
Cir.
2018)
.
Rose
is
navigating
this
process
without
a
lawyer,
and
her
opposition
brief
bristles
with
more
allegations
that
she
claims
will
cure
the
defects
above.
While
her
current
complaint
falls
well
short
of
the
plausibility
threshold,
the
Court
cannot
say
with
certainty
that
any
attempt
to
amend
would
be
an
exercise
in
futility.
Accordingly,
the
dismissal
will
be
without
prejudice,
affording
Rose
another
chance
to
correct
these
deficiencies
and
re-plead
her
case.
Rose
may
file
an
amended
complaint
within
fourteen
days
of
this
order.
One
final
word
is
in
order.
The
Court
has
discovered
at
least
one
fabricated
judicial
decision
in
Rose’
s
briefing.
(Doc.
23
at
16
(citing
Prousalis
v.
Bert
’s
Bikes
&
Fitness
,
No.
8
:18
-cv
-
1234,
2019
WL
13202785
(M.D.
Fla.
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10
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10
2019)
.)
That
discovery—coupled
with
the
sudden,
highly
robust
legal
discussion
that
differs
from
her
threadbare
complaint
—all
but
confirms
she
is
using
generative
artificial
intelligence.
Let
me
be
clear:
this
Court
does
not
prohibit
litigants
from
using
AI
tools.
But
every
party,
pro
se
or
otherwise,
remains
ultimately
responsible
for
the
filings
they
submit.
Rule
11
requires
that
legal
contentions
be
warranted
by
actual,
existing
law
—a
standard
that
applies
equally
whether
a
brief
is
handwritten
or
generated
by
an
algorithm.
See
Fed.
R.
Civ.
P.
11(b)(2).
This
Court’s
docket
is
busy
enough.
It
should
not
have
to
independently
comb
through
the
record
to
discern
what
is
real
or
fake.
See
Mata
v.
Avianca,
Inc.
,
678
F.
Supp.
3d
443,
448
(S.D.N.Y.
2023)
(imposing
sanctions
for
the
submission
of
an
AI-generated
brief
replete
with
“bogus
opinions”).
To
the
extent
the
Court
finds
any
additional
hallucinations
or
stray
citations
in
future
filings,
sanctions
will
follow,
which
could
include
dismissal
.
“Whatever
the
merits
of
artificial
intelligence,
it
is
no
substitute
for
actual
intelligence.”
Akerlund
v.
Atlas
Air,
Inc.
,
No.
24
-11033,
2026
WL
1993146,
at
*5
(11th
Cir.
July
10,
2026)
.
ORDERED
in
Fort
Myers,
Florida
on
July
1
2,
2026.
Case
2:26-cv-00484-KCD-KRH
Document
49
Filed
07/12/26
Page
10
of
10
PageID
359
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