mental illnesses, and explained how they could assist Rohan when she experienced an episode. She also provided a list of emergency contact numbers that included her (then) husband, Richard Rohan,4 her therapist and her psychiatrist. Pfarrer and Vanderhoff agreed to help Rohan through her episodes and, in fact, did help her through numerous episodes over the next several months.
Rohan paints a vivid picture of life in the theatre. The cast joked with each other a great deal, and the jokes included ones of a sexual nature. On a number of occasions, when a cast member touched Rohan in a way she felt was inappropriate, she slapped that person in response. Particularly while traveling from one performance to the next on the tour bus, Rohan found the sexually charged antics of her colleagues difficult to bear. According to Rohan, many of the underage cast members drank alcohol, and many cast members were smoking marijuana. On one occasion, a cast member urinated on a hotel door. In general, Rohan found certain cast members to be immature (many of them were considerably younger than Rohan) and, at times, offensive.. To the extent possible, she avoided these people.
Rohan also made many friends on the tour. According to Rohan, she became friends with, among others, Jennifer Carroll, Rana Fellgraff, Janine Vanderhoff, Annie Berthiaune, and Erik Shark, a male cast member whom Rohan described as “a good friend.” J.A. at 280. One indication of the strength of these friendships was that Rohan shared with these individuals some or all of her history of mental illness and sexual abuse.5 Carroll, the wardrobe supervisor, told Rohan she was “the easiest female in the show to work with.” J.A. at 90.
Rohan had several more episodes during rehearsals in South Carolina, but the episodes abated during the first six weeks of performances. During this time, Rohan was “very upbeat,” J.A. at 67, and was “surprised at how good [she] felt most of the time,” J.A. at 276. Her happiness stemmed in part from the positive reviews of her performance. Jaeger told her that her performances were “outstanding” and to keep up the “great work on stage.” J.A. at 33, 35.
As the finalization of her divorce, and the holidays, approached, however, Rohan began to have episodes with increasing frequency — on October 11, November 7, November 20, November 22, and December 1. The episode on November 7 came during a performance. Although Rohan had to return to the hotel in the middle of the show, she had already completed the “Lady Beaconsfield” role and Pfarrer excused her from her role in the “Ensemble,” thereby minimizing the impact of her departure.
As these episodes increased in frequency, Rohan began to talk about suicide. On October 11, she made a small cut on her wrist with another cast member’s razor. On November 17, Rohan told Pfarrer that she was “going to walk into traffic and end this once and for all.”6 J.A. at 54. Pfarrer instructed a crewmember to accompany Rohan to the hotel for safety. Rohan
4
Richard and Tess Rohan were divorced during the Jekyll & Hyde tour.
5
At a meeting at the end of rehearsals, Rohan disclosed to the entire cast and crew her history of childhood abuse and the effects of her depression and PTSD. Rohan claims that Networks forced her to make this disclosure. This event serves as the basis for Rohan's hostile work environment claim.
6
.At her deposition, Rohan claimed that this statement was made in jest, but did not dispute that she made the statement.